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Natasha, Pierre And The Great Comet Of 1812
17 songs available for this showCharming
Charming
Natasha, Pierre And The Great Comet Of 1812
Time: 03:58sKey: DmMelodyComplete
Charming
Natasha, Pierre And The Great Comet Of 1812
Time: 03:58sKey: DmPianoComplete
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Charming | A Melody Track can help a vocalist learn their part. | Dm | 03:58 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | Charming | A Piano track is useful when a vocalist already knows the melody. | Dm | 03:58 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- |
Dust And Ashes
Dust And Ashes
Natasha, Pierre And The Great Comet Of 1812
Time: 07:05sKey: BbMelodyComplete
Dust And Ashes
Natasha, Pierre And The Great Comet Of 1812
Time: 07:05sKey: BbPianoComplete
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Dust And Ashes | A Melody Track can help a vocalist learn their part. | Bb | 07:05 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | Dust And Ashes | A Piano track is useful when a vocalist already knows the melody. | Bb | 07:05 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- |
Epilogue
Epilogue
Natasha, Pierre And The Great Comet Of 1812
Time: 03:44sKey: BMelodyComplete
Epilogue
Natasha, Pierre And The Great Comet Of 1812
Time: 03:44sKey: BPianoComplete
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Epilogue | A Melody Track can help a vocalist learn their part. | B | 03:44 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | Epilogue | A Piano track is useful when a vocalist already knows the melody. | B | 03:44 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- |
In My House
In My House
Natasha, Pierre And The Great Comet Of 1812
Time: 03:11sKey: GMelodyComplete
In My House
Natasha, Pierre And The Great Comet Of 1812
Time: 03:11sKey: GPianoComplete
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | In My House | A Melody Track can help a vocalist learn their part. | G | 03:11 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | In My House | A Piano track is useful when a vocalist already knows the melody. | G | 03:11 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- |
Letters
Letters
Natasha, Pierre And The Great Comet Of 1812
Time: 06:20sKey: AmMelodyComplete
Letters
Natasha, Pierre And The Great Comet Of 1812
Time: 06:20sKey: AmPianoComplete
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Letters | A Melody Track can help a vocalist learn their part. | Am | 06:20 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | Letters | A Piano track is useful when a vocalist already knows the melody. | Am | 06:20 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- |
Moscow
Moscow
Natasha, Pierre And The Great Comet Of 1812
Time: 00:57sKey: AbmMelodyPartial
Note: Play m210-261
Moscow
Natasha, Pierre And The Great Comet Of 1812
Time: 00:57sKey: AbmPianoPartial
Note: Play m210-261
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Moscow | A Melody Track can help a vocalist learn their part. | Abm | 00:57 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m210-261 | ||
00:30 | Moscow | A Piano track is useful when a vocalist already knows the melody. | Abm | 00:57 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m210-261 |
No One Else
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 05:07sKey: DmMelodyComplete
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 05:08sKey: DmPianoComplete
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 02:05sKey: DmMelodyPartial
Note: Play m 1-72, misc cuts
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 02:09sKey: DmPianoPartial
Note: Play m 1-72, misc cuts
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 04:18sKey: DmMelodyComplete
Note: better tempos
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 04:18sKey: DmPianoComplete
Note: better tempos
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 04:17sKey: GbmMelodyComplete
Note: better tempos
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 04:17sKey: GbmPianoComplete
Note: better tempos
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 01:32sKey: DmMelodyPartial
Note: Play m 63-93, 121-137
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 01:32sKey: DmPianoPartial
Note: Play m 63-93, 121-137
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 04:41sKey: CmMelodyComplete
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 04:41sKey: CmPianoComplete
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 01:42sKey: FMelodyPartial
Note: Play m 96-146
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 01:42sKey: FPianoPartial
Note: Play m 96-146
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 00:54sKey: FMelodyPartial
Note: Short Audition Cut
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 00:54sKey: FPianoPartial
Note: Short Audition Cut
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 01:54sKey: FMelodyPartial
Note: Play m 61
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 01:54sKey: FPianoPartial
Note: Play m 61
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 04:42sKey: DmMelodyComplete
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 04:42sKey: DmPianoComplete
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 04:19sKey: DmMelodyComplete
Note: better tempos, with ritards
No One Else
Natasha, Pierre And The Great Comet Of 1812
Time: 04:19sKey: DmPianoComplete
Note: better tempos, with ritards
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | Dm | 05:07 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | Dm | 05:08 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | Dm | 02:05 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 1-72, misc cuts | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | Dm | 02:09 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 1-72, misc cuts | ||
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | Dm | 04:18 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | better tempos | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | Dm | 04:18 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | better tempos | ||
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | Gbm | 04:17 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | better tempos | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | Gbm | 04:17 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | better tempos | ||
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | Dm | 01:32 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 63-93, 121-137 | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | Dm | 01:32 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 63-93, 121-137 | ||
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | Cm | 04:41 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | Cm | 04:41 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | F | 01:42 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 96-146 | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | F | 01:42 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 96-146 | ||
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | F | 00:54 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Short Audition Cut | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | F | 00:54 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Short Audition Cut | ||
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | F | 01:54 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 61 | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | F | 01:54 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 61 | ||
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | Dm | 04:42 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | Dm | 04:42 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | No One Else | A Melody Track can help a vocalist learn their part. | Dm | 04:19 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | better tempos, with ritards | ||
00:30 | No One Else | A Piano track is useful when a vocalist already knows the melody. | Dm | 04:19 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | better tempos, with ritards |
Pierre
Pierre
Natasha, Pierre And The Great Comet Of 1812
Time: 00:54sKey: EmMelodyPartial
Note: Play m18-28
Pierre
Natasha, Pierre And The Great Comet Of 1812
Time: 00:54sKey: EmPianoPartial
Note: Play m18-28
Pierre
Natasha, Pierre And The Great Comet Of 1812
Time: 00:48sKey: EmMelodyPartial
Note: Play m 18-28 tenor part
Pierre
Natasha, Pierre And The Great Comet Of 1812
Time: 00:48sKey: EmPianoPartial
Note: Play m 18-28 tenor part
Pierre
Natasha, Pierre And The Great Comet Of 1812
Time: 04:40sKey: EmMelodyComplete
Pierre
Natasha, Pierre And The Great Comet Of 1812
Time: 04:40sKey: EmPianoComplete
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Pierre | A Melody Track can help a vocalist learn their part. | Em | 00:54 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m18-28 | ||
00:30 | Pierre | A Piano track is useful when a vocalist already knows the melody. | Em | 00:54 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m18-28 | ||
00:30 | Pierre | A Melody Track can help a vocalist learn their part. | Em | 00:48 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 18-28 tenor part | ||
00:30 | Pierre | A Piano track is useful when a vocalist already knows the melody. | Em | 00:48 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 18-28 tenor part | ||
00:30 | Pierre | A Melody Track can help a vocalist learn their part. | Em | 04:40 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | Pierre | A Piano track is useful when a vocalist already knows the melody. | Em | 04:40 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- |
Pierre and Andrey
Pierre and Andrey
Natasha, Pierre And The Great Comet Of 1812
Time: 01:44sKey: DmMelodyComplete
Pierre and Andrey
Natasha, Pierre And The Great Comet Of 1812
Time: 01:44sKey: DmPianoComplete
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Pierre and Andrey | A Melody Track can help a vocalist learn their part. | Dm | 01:44 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | Pierre and Andrey | A Piano track is useful when a vocalist already knows the melody. | Dm | 01:44 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- |
Prologue
Prologue
Natasha, Pierre And The Great Comet Of 1812
Time: 04:35sKey: EmMelodyComplete
Prologue
Natasha, Pierre And The Great Comet Of 1812
Time: 04:35sKey: EmPianoComplete
Prologue
Natasha, Pierre And The Great Comet Of 1812
Time: 04:34sKey: EmMelodyComplete
Note: alto part
Prologue
Natasha, Pierre And The Great Comet Of 1812
Time: 04:34sKey: EmMelodyComplete
Note: bass part
Prologue
Natasha, Pierre And The Great Comet Of 1812
Time: 04:35sKey: EmMelodyComplete
Note: soprano part
Prologue
Natasha, Pierre And The Great Comet Of 1812
Time: 04:34sKey: EmMelodyComplete
Note: tenor part
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Prologue | A Melody Track can help a vocalist learn their part. | Em | 04:35 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | Prologue | A Piano track is useful when a vocalist already knows the melody. | Em | 04:35 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | Prologue | A Melody Track can help a vocalist learn their part. | Em | 04:34 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | alto part | ||
00:30 | Prologue | A Melody Track can help a vocalist learn their part. | Em | 04:34 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | bass part | ||
00:30 | Prologue | A Melody Track can help a vocalist learn their part. | Em | 04:35 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | soprano part | ||
00:30 | Prologue | A Melody Track can help a vocalist learn their part. | Em | 04:34 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | tenor part |
Sonya Alone
Sonya Alone
Natasha, Pierre And The Great Comet Of 1812
Time: 03:59sKey: DMelodyComplete
Sonya Alone
Natasha, Pierre And The Great Comet Of 1812
Time: 03:59sKey: DPianoComplete
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Sonya Alone | A Melody Track can help a vocalist learn their part. | D | 03:59 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | Sonya Alone | A Piano track is useful when a vocalist already knows the melody. | D | 03:59 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- |
Sonya And Natasha
Sonya And Natasha
Natasha, Pierre And The Great Comet Of 1812
Time: 05:03sKey: EbMelodyComplete
Sonya And Natasha
Natasha, Pierre And The Great Comet Of 1812
Time: 05:03sKey: EbPianoComplete
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Sonya And Natasha | A Melody Track can help a vocalist learn their part. | Eb | 05:03 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | Sonya And Natasha | A Piano track is useful when a vocalist already knows the melody. | Eb | 05:03 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- |
The Abduction
The Abduction
Natasha, Pierre And The Great Comet Of 1812
Time: 01:48sKey: DbMelodyPartial
Note: Play m1-73 violin
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | The Abduction | A Melody Track can help a vocalist learn their part. | Db | 01:48 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m1-73 violin |
The Duel
The Duel
Natasha, Pierre And The Great Comet Of 1812
Time: 00:52sKey: FmMelodyPartial
Note: Play m 20-43 Dolokhov
The Duel
Natasha, Pierre And The Great Comet Of 1812
Time: 00:52sKey: FmPianoPartial
Note: Play m 20-43 Dolokhov
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | The Duel | A Melody Track can help a vocalist learn their part. | Fm | 00:52 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 20-43 Dolokhov | ||
00:30 | The Duel | A Piano track is useful when a vocalist already knows the melody. | Fm | 00:52 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 20-43 Dolokhov |
The Great Comet Of 1812
The Great Comet Of 1812
Natasha, Pierre And The Great Comet Of 1812
Time: 04:25sKey: DMelodyComplete
The Great Comet Of 1812
Natasha, Pierre And The Great Comet Of 1812
Time: 04:25sKey: DPianoComplete
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | The Great Comet Of 1812 | A Melody Track can help a vocalist learn their part. | D | 04:25 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- | ||
00:30 | The Great Comet Of 1812 | A Piano track is useful when a vocalist already knows the melody. | D | 04:25 | This should be the complete track. There are free exchanges. If you purchase any version of this song, you can contact us and ask us to put any other version in your account. | -- |
The Private And Intimate Life Of The House
The Private And Intimate Life Of The House
Natasha, Pierre And The Great Comet Of 1812
Time: 02:01sKey: CmMelodyPartial
Note: Play m1-23, 31-35, 40-44
The Private And Intimate Life Of The House
Natasha, Pierre And The Great Comet Of 1812
Time: 02:01sKey: CmPianoPartial
Note: Play m1-23, 31-35, 40-44
The Private And Intimate Life Of The House
Natasha, Pierre And The Great Comet Of 1812
Time: 01:52sKey: CmMelodyPartial
Note: Play m1-23, 33-39
The Private And Intimate Life Of The House
Natasha, Pierre And The Great Comet Of 1812
Time: 01:52sKey: CmPianoPartial
Note: Play m1-23, 33-39
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | The Private And Intimate Life Of The House | A Melody Track can help a vocalist learn their part. | Cm | 02:01 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m1-23, 31-35, 40-44 | ||
00:30 | The Private And Intimate Life Of The House | A Piano track is useful when a vocalist already knows the melody. | Cm | 02:01 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m1-23, 31-35, 40-44 | ||
00:30 | The Private And Intimate Life Of The House | A Melody Track can help a vocalist learn their part. | Cm | 01:52 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m1-23, 33-39 | ||
00:30 | The Private And Intimate Life Of The House | A Piano track is useful when a vocalist already knows the melody. | Cm | 01:52 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m1-23, 33-39 |
Well Goodbye
Well Goodbye
Natasha, Pierre And The Great Comet Of 1812
Time: 01:12sKey: BbmMelodyPartial
Note: Play m37-57
Well Goodbye
Natasha, Pierre And The Great Comet Of 1812
Time: 01:12sKey: BbmPianoPartial
Note: Play m37-57
| Avatar | Name | Type | Key | Time | Notes | |||
|---|---|---|---|---|---|---|---|---|
00:30 | Well Goodbye | A Melody Track can help a vocalist learn their part. | Bbm | 01:12 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m37-57 | ||
00:30 | Well Goodbye | A Piano track is useful when a vocalist already knows the melody. | Bbm | 01:12 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m37-57 |