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Radio Gals
1 songs available for this showDear Mister Gershwin - Dear Mr. Gershwin
Dear Mister Gershwin - Dear Mr. Gershwin
Radio Gals
Time: 01:37sKey: EbMelodyPartial
Dear Mister Gershwin - Dear Mr. Gershwin
Radio Gals
Time: 01:37sKey: EbPianoPartial
Dear Mister Gershwin - Dear Mr. Gershwin
Radio Gals
Time: 01:24sKey: EbMelodyPartial
Dear Mister Gershwin - Dear Mr. Gershwin
Radio Gals
Time: 01:24sKey: EbPianoPartial
Dear Mister Gershwin - Dear Mr. Gershwin
Radio Gals
Time: 01:25sKey: EbMelodyPartial
Dear Mister Gershwin - Dear Mr. Gershwin
Radio Gals
Time: 01:25sKey: EbPianoPartial
Dear Mister Gershwin - Dear Mr. Gershwin
Radio Gals
Time: 00:58sKey: EbMelodyPartial
Note: Play m 51-70
Dear Mister Gershwin - Dear Mr. Gershwin
Radio Gals
Time: 00:58sKey: EbPianoPartial
Note: Play m 51-70
Avatar | Name | Type | Key | Time | Notes | |||
---|---|---|---|---|---|---|---|---|
00:30 | Dear Mister Gershwin - Dear Mr. Gershwin | A Melody Track can help a vocalist learn their part. | Eb | 01:37 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | ||
00:30 | Dear Mister Gershwin - Dear Mr. Gershwin | A Piano track is useful when a vocalist already knows the melody. | Eb | 01:37 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | ||
00:30 | Dear Mister Gershwin - Dear Mr. Gershwin | A Melody Track can help a vocalist learn their part. | Eb | 01:24 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | ||
00:30 | Dear Mister Gershwin - Dear Mr. Gershwin | A Piano track is useful when a vocalist already knows the melody. | Eb | 01:24 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | ||
00:30 | Dear Mister Gershwin - Dear Mr. Gershwin | A Melody Track can help a vocalist learn their part. | Eb | 01:25 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | ||
00:30 | Dear Mister Gershwin - Dear Mr. Gershwin | A Piano track is useful when a vocalist already knows the melody. | Eb | 01:25 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | ||
00:30 | Dear Mister Gershwin - Dear Mr. Gershwin | A Melody Track can help a vocalist learn their part. | Eb | 00:58 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 51-70 | ||
00:30 | Dear Mister Gershwin - Dear Mr. Gershwin | A Piano track is useful when a vocalist already knows the melody. | Eb | 00:58 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 51-70 |