  | | Dear Mister Gershwin - Dear Mr. Gershwin | A Melody Track can help a vocalist learn their part. | Eb | 01:37 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | |
| | Dear Mister Gershwin - Dear Mr. Gershwin | A Piano track is useful when a vocalist already knows the melody. | Eb | 01:37 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | |
| | Dear Mister Gershwin - Dear Mr. Gershwin | A Melody Track can help a vocalist learn their part. | Eb | 01:24 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | |
| | Dear Mister Gershwin - Dear Mr. Gershwin | A Piano track is useful when a vocalist already knows the melody. | Eb | 01:24 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | |
| | Dear Mister Gershwin - Dear Mr. Gershwin | A Melody Track can help a vocalist learn their part. | Eb | 01:25 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | |
| | Dear Mister Gershwin - Dear Mr. Gershwin | A Piano track is useful when a vocalist already knows the melody. | Eb | 01:25 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | -- | |
| | Dear Mister Gershwin - Dear Mr. Gershwin | A Melody Track can help a vocalist learn their part. | Eb | 00:58 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 51-70 | |
| | Dear Mister Gershwin - Dear Mr. Gershwin | A Piano track is useful when a vocalist already knows the melody. | Eb | 00:58 | A partial version can be an audition cut, or can have some parts edited out. It is not a complete track. | Play m 51-70 | |
